Eat.Sleep.Blog Erin's thoughts on knitting and running a yarn store

November 2, 2010

Wrenna

Filed under: Uncategorized — admin @ 12:20 pm

I posted a few weeks ago about yarn choice, and some of my personal guidelines to choosing yarns and colorways for projects. Guidelines are made to be broken though, and when we got in Malabrigo’s new super bulky, single-ply yarn, Rasta, several months ago, I fell in love with some of its gorgeous but extremely variegated colorways. And I wondered – could these work in a sweater? And how much would you need?

It took me a while, but I finally hit upon a pattern I thought might work; one that I’d actually wanted to knit for months – Wrenna, from French Girl Knits.

This was one of my most fun knits, ever. The yarn is incredibly soft, and every stitch was a different color, which made this fun to watch. Oh, and did I mention how fast the super bulky yarn knits up? This entire sweater took six hours of knitting time, and 2.5 skeins of Rasta. I was also concerned about wear since it is a single-ply yarn, but because Rasta is ever-so-lighted felted in the spinning process, it holds up quite well.

My favorite part, though, is that Wrenna makes a fantastic layering piece for our strange “fall” days where it is 45 degrees in the morning and evening, but 80 degrees during the day, so it has already gotten a ton of use!

October 26, 2010

Hello Long-Lost Friend!

Filed under: Uncategorized — admin @ 10:15 am

Just an inaugural post to celebrate the blog’s prodigal return from the depths of our remarkably obtuse web host. (They didn’t used to be, but apparently things have changed over the twelve years I have been using their services to host various blogs.) This is also the time where we all thank our lucky stars that the rest of the website is hosted directly by us, with my extremely competent husband serving as admin and server guru.

While the blog was down, my best friend got married and I had the honor of being her bridesmaid. Congratulations to Lisa and Lee!

Photo Copyright Kelly Is Nice Photography

There were tons of handknits at the wedding, which were very well received by the non-crafters. And an October wedding in Georgia can go either way, temperature-wise, so I knit myself a wrap to wear after the ceremony if I got chilly. Love how this came out.

This is the Eustacia wrap from the Shibui Luxury book, knit smaller than the pattern calls for so it only used two skeins each of Silk Cloud and Staccato Sock. Unbelievably soft, and I got so many compliments on it!

October 5, 2010

Knit to Fit – a Quick Guide to Sweaters

Filed under: Knitting tips — admin @ 1:10 pm

Let’s talk for a minute about sweaters. I am a sweater knitter, through and through. A pair of socks can take me a month, but I’ll whip through a sweater in two weeks, no problem. And many of you are scared to make a sweater, because you’re not sure if it will fit right, or how to make it fit right, so I’m hoping to help you take the sweater plunge, here.

Sweaters are built on measurements for some key areas of the body:

bodymodelBust (blue)
Natural waist (pink)
High hip (orange)
Arm circumference (green)
Length from underarm to end of garment
Sleeve depth (length from underarm to shoulder)

And if you are lucky enough to be shaped like my illustration here, you are probably okay to just measure, find the closest size, go forth and knit. Most sweaters are based on the “average” female body type, which is the hourglass shown above. But we all know there a zillion different body types. I’m a pear, through and through. I can get bigger or smaller, but I’m always a pear. If I apply the same measurements, in the same places, to my own body, the sweater will not fit. Witness exhibit A:
pear-body
First, some definitions:
Bust – this is the total circumference around the fullest part of your bust. NOT your bra band size.
Natural waist – this is the circumference around the narrowest part of your waist; for most people this is about 2-3 inches above your belly button. If you are measuring at or below your belly button, you are measuring too low and need to move up. Many people have trouble with this due to prevailing negative body image, so as a guideline I’ll share – I typically wear a size 12 in pants and my “natural waist” is 31”. Do I have larger areas around my middle? Absolutely. But knowing that won’t help me fit my sweater.
High hip – another tricky one! This is the circumference around your hips at the very top of your pelvic bones – not the largest place around your rear end, which is the traditional “hip” measurement. The high hip is typically where you want a sweater to fall, so unless you are knitting a coat or tunic-length garment, you should use your “high hip” measurement for your hip measurement. For me this is a huge difference – my hip measurement is about 44” but my high hip is only 38”. If I knit my sweaters to be 44” wide, they’d fit me terribly, being 6+ inches too large at the hem.
Arm circumference – this is the circumference around the largest part of your upper arm, usually just below your shoulder.

Here are where the bust, waist, and hip measurements might fall on different types of bodies.
otherbodies
Now that you’ve located the correct locations on your body for your bust, natural waist, and high hip, you’ll want to take some length measurements. I am only 5’4” (about 1.6 meters for the metric folks), and still find most patterns as written to be woefully short. And, as shown in the illustration above, different body types mean the waistlines and bustlines may fall at different places than the pattern assumes. First, measure the length straight up and down from your underarm to your preferred sweater hemline. Then, measure the length in the same manner from the fullest point of your bust to your natural waist, and again from your natural waist to your preferred hemline.

This seems like a lot of work, but you only have to do it once and then you’re ready to knit sweaters that fit. So, you’ve written down all your measurements, now what?

Most patterns have a schematic included, and are general sized by bust measurement. Locate the appropriate size based on your bust measurement on the schematic and check the waist and hip circumferences for those sizes. If they match your own, you’re good to go. If not, you’ll want to adjust the pattern accordingly, or your sweater will not fit you (and then you’ll never wear it – how sad would that be?).

For me, this is what I know about my body – my bust is about 35”, and most patterns have a hip measurement for this size of 35”. I need 38”, so I multiply 38 (or 19, if knitting flat) by the number of stitches per inch. This is the number of stitches I need to have at the bottom of the sweater.

My natural waist is 31” and is only about 6” from my hemline. I like to have a bit of positive ease around my middle, so I add an inch, and multiply 32 (or 16 if knitting flat) by the number of stitches per inch. This is the number of stitches I need to have at the waist of my sweater, which should be about 6” from the hemline and 9” from the underarm.

Now when I start knitting the sweater, I can simply substitute these numbers in for the pattern instructions. If the number of stitches you need for the waist is fewer than in the pattern, you’ll need to do more decreases than the pattern calls for, and vice versa if it’s larger. The same for the hip area. And if the pattern says to knit to a length that is less than your actual desired length, you just substitute in your own length measurement. Patterns that don’t have schematics are harder, but you can get the measurements in the pattern instructions my multiplying the given stitch or row counts by the given gauge.

And then there is the issue of sleeves. My arms are 13”, about 1” bigger than the fit size for most patterns in my size. I add these extra stitches accordingly, which can be tricky to incorporate into sleeve cap shaping if you’re not knitting a raglan. Typically when making sleeves bigger than the pattern calls for when knitting a sweater in pieces, you’ll bind off more stitches to begin sleeve cap shaping and decrease more frequently as well. If this is the first time you’re trying to modify a pattern to fit, I would start with a raglan (bottom up or top down) so you get a better idea of the process.

September 27, 2010

Converting For Gauge (or Yarn Sub, Part 2)

Filed under: Gauge,Knitting tips,Yarn Choice,Yarn Substitution — admin @ 11:21 am

The other day, I posted a bit about yarn substitution and the best way to choose a yarn for a project. I mentioned another kind of yarn substitution where you are subbing in a yarn with a totally different gauge than called for in the pattern, which is probably what I do for 90% of my own knitting projects. So, as promised, yarn substitution part two. Or “how I turn a simple knitting pattern into a complicated schematic involving nuclear physics.” Just kidding! It is a little more complicated, but once you get the idea, it should only involve a few buttons on the calculator.

honeybee3Sometimes, I see a pattern, I like it, I add it to my Ravelry favorites, and I don’t think much else about it. Later, I’ll see a yarn, and instantly know that *this* is the yarn for that pattern. And then, of course, I pull up the pattern and realize it’s written for fingering weight and I’ve chosen a worsted weight. (See my Honeybee Cardigan, knit with SweetGeorgia Merino Silk Aran instead of the fingering weight Malabrigo Sock the pattern suggested, right.) I’m not one to give up on my visions, so I trot out the calculator and go to it.

Here is, in a nutshell, what you want to do:
1. Knit a gauge swatch (or, as I often like to call it, “start a sleeve.”).
2. Measure your gauge (stitches *and* rows – this is important).
3. Assuming you are using an actual pattern size, go through the pattern and every time it lists how many stitches you should cast on, bind off, increase up to, or increase down to, multiply that number by (your gauge)/(listed gauge). So if your gauge above was 4 spi, and listed gauge was 6 spi, you would multiply by 4/6 (or two-thirds) to get new stitch counts.
4. Go forth and be merry.

Rate of Increases/Decreases
When the pattern calls for increasing or decreasing to shape armholes, sleeve caps, and necklines, you’ll want to consider your new row gauge. In the case of my Honeybee, the pattern’s row gauge is 8 rows per inch, and I was getting closer to 4 rows per inch with my worsted weight yarn. Again, you want to look at the equation of (your gauge)/(listed gauge); in this case it was almost exactly half. This means that any place the pattern says to decrease every two rows, I would decrease every row. If it said to increase every 6 rows, I would want to increase every 3. The same would be true in reverse; if you knit a worsted weight pattern with fingering weight yarn, instead of increasing every 6 rows, you’d increase every 12 rows.

This can be trickier if your ratio is not as pretty. The Honeybee cardigan uses decreases and short-rows to shape the armholes, sleeve caps, and neckline, and typically these are done every other row. If my row gauge had been 6 rows/inch instead of 4, I would have had a ratio of ¾. Instead of just being able to change to decreasing every row, I would have wanted to decrease three times for every four pattern rows. I would have knit this as: Row 1, decrease; Row 2, decrease; Row 3, plain; Row 4, decrease. Ultimately your goal is just to get from your original stitch count to your new, decreased stitch count (you calculated both of these in step 3, right? Right??), in the same length of knitting as you would have with the pattern’s suggested gauge.

How Much To Buy
This is the one that people get hung up on; it seems complicated but it’s not at all so long as you’re changing the pattern gauge to match your new yarn’s appropriate gauge. And frankly, what I am about to say may be considered completely verboten in the knitting community, but this is what I do and it has worked flawlessly, every time – go by the weight, not the yardage, called for in the pattern. If the pattern calls for 750 yards of a yarn that comes in 4 oz skeins of 225 yards each, you would need to buy 4 skeins, or 16 oz) of that yarn. Ergo, 4 skeins (or equivalent to 16 oz if in different put-ups) of any weight of yarn should complete the pattern as well.

One exception to this rule is if you are holding your yarn double to knit with. This seems to warp the knitting-time-space continuum in some way that causes it to require more yarn than you would need otherwise. For this, I always buy an extra skein or two.

That’s really all there is to it. Like with any yarn choice, there are things you’ll want to take into consideration before throwing any yarn into any pattern willy-nilly. Changing a sweater like Honeybee from fingering weight to worsted weight will change the way the lace pattern looks. You’ll have fewer honeybees in your sweater, but they’ll be more pronounced. It will also make the sweater heavier/warmer, so always take warmth into consideration when changing yarns out on a garment. Living in a warm climate, swapping in fingering/sportweight yarns for worsted/bulky patterns is a favorite trick of mine, but then you will lose some of the thickness/lushness that often makes a bulky sweater look so cozy. And most importantly – do you love it, and will you love knitting it???

September 20, 2010

Alternate Those Skeins!

Filed under: Knitting tips — admin @ 11:07 am

We interrupt our series on yarn choice and substitution to bring you this important message about alternating skeins. It seems timely because this time of year, perhaps as people are gearing back up for fall and holiday knitting and cold weather, we start getting many more e-mails and phone calls asking what this is, how to do it, if you really need to do it, what to do if you didn’t do it and now your project is ruined (ruined?!).

So you’re starting your first project using multiple skeins of hand-dyed yarn. The first thing you need to know is that it is recommended by every dyer that you always, always, always alternate skeins when knitting one project out of multiple skeins of hand-dyed yarn. Here’s why:

photo(2)
Photo by Kim of her Saroyan Shawl in Black Currant Tosh DK

See that distinct line? That’s where Kim ended one skein and began another, and it’s extremely rare for any two hand-dyed skeins to match so well that this line won’t show up to some varying degree if you don’t alternate your skeins. Even two skeins that look 100% identical in the hank will usually end up exhibiting a line of this sort when you switch skeins. It’s just the nature of the beast.

When you alternate skeins, what you are basically doing is knitting with two skeins at the same time. You knit a couple of rows/rounds with one skein, then a couple with the second, then back to the first, and so on. This obscures the variations between the two skeins and essentially turns them into one homogenized skein. You’ll run both yarns up the side of the project in one spot, so there aren’t any additional ends to weave in.

I’ve written up a little photo tutorial on the technique, using two different colors of Dream In Color Groovy for illustrative purposes. (obviously in your project you’re using the same color and shouldn’t really be able to identify where you are switching yarns.)

Here is my swatch knit with Skein A, which I’ll begin alternating with Skein B.
alternating-before

To begin alternating, at the beginning of the row, I drop skein A and just start knitting with Skein B.
alternating-step1

One row complete, and now since I’m knitting flat, I’ll purl back with Skein B to get back to the start point. If I were knitting in the round, I could either alternate every other round or just knit a second round and alternate every two rounds.
alternating-step1a

Back at the beginning, I drop Skein B and pick up Skein A. I try to make sure to catch Skein B behind A as I do this to keep the yarn tidy as it’s carried up the side, and begin knitting again with Skein A. After I knit the first stitch, I gently tug the project down to make sure my first stitch isn’t too tight, which could cause your project to pucker along the carry-edge.
alternating-step2

And that’s it, just lather, rinse, repeat.
alternating-done2

Here is what the back side of my carry-edge looks like. Each time I catch the yarn, it gives it this half-braided look.
alternating-side

I know what you are going to say, which is, that seems like a real pain in the butt – and it kind of is! It’s the kind of pain in the butt that is really, really worth it though, if this kind of thing freaks you out:
peach2_medium
Photo of Jen’s Scotty Vest in Dream In Color Groovy, Giant Peach

So here is my advice to one and all – myself, my friends, our customers, all of you! Obviously, you know the manufacturer’s recommendation, so every time you choose not to alternate, you have to accept that you are taking a risk and may end up ripping your project back. If you have a low tolerance for variations, you should always alternate, always, because it’s hand-dyed yarn – there will be variations. I can guarantee it.

But, if you have a medium or high tolerance as I do, I have two tried-and-true methods I use that I call “the lazy knitter’s alternating.” The first is to only alternate for the last inch or so of a skein. To do this, you just would knit with Skein A until you have only enough left for maybe 6-8 rows. Then, you alternate in Skein B as in the tutorial above – follow the instructions in the photo tutorial exactly. Make sure you switch between A and B at least three times for best results, or until you run out of A. Then just keep going with Skein B and repeat again with Skeins C, D, E as needed. This doesn’t entirely eliminate the color change the way that alternating throughout would, but it disguises the line where you change skeins so that smaller degrees of variation are no longer noticeable.

The second is great for things knit in pieces, like seamed sweaters – I just knit each piece out of only one skein. So like, I’d knit the back out of Skein A, the front out of Skein B, and then I’d do the first sleeve in Skein C. If I had enough left for the whole second sleeve, I’d use Skein C, but if not, I’d leave Skein C and knit the entire second sleeve out of Skein D. Hoodie? Knit the hood out of Skein E! Basically, I keep the skein changes around seams, where it doesn’t look so obvious. Buttonbands, collars, even ribbing at the bottom. I did this with my Cecilia – the ribbings at the bottom and on the button/neckband are from my second skein, which did not match my first at all. You can definitely tell, but unless you point it out you don’t notice.
cecilia-4

So go forth, alternate (or don’t!), and be merry!

September 13, 2010

Choosing a Yarn

Filed under: Yarn Choice — admin @ 10:54 am

How do we choose the yarn for our projects? For me, more often than not, I find the yarn first and then find a project to match it. Sometimes, I’m lucky, and a pattern that has been floating around in the back of my mental queue leaps out as the Perfect Choice for a newfound yarn. But whether you start with the yarn or the project in mind, matching up yarn and pattern is critical to your knit.

Let me start by telling you about my very first project. It was a free tank top pattern I’d found online, and I read the materials section and determined that I needed 500 yards of a yarn that could be knit on a US 8 needle. Armed with only this knowledge, I set out to my very first LYS and enthusiastically selected a pink yarn whose ballband indicated it would be knit on US 8s. What I can tell you now that I didn’t know then is that the yarn I chose – for a tank top, meant to be worn next to the skin in the 100+ degree summer heat of Atlanta, GA – was a worsted weight, single-ply, 100% merino wool. Which is one of my favorite types of yarn, but it couldn’t have been a worse idea for this project, which I proudly wore a sum total of one, very uncomfortable, afternoon.

The main questions you should have when considering a yarn/fiber are: How warm will it be? What type of drape will it have? How much stitch definition will it provide? Fiber content is key! There are so many different types of fibers, and every one has its own unique properties that change the appearance, wearability, and durability of your project. If you are knitting a warm weather garment, such as my first tank top, you want to stick with cooler, lighter weight fibers like silk, cotton, or linen. If your project has a lot of texture or intricate stitchwork, you’ll want something with memory and less elasticity to give stitch definition, typically a wool or wool blend. If your project should be drape-y, like a shawl, you’ll want something with less elasticity like silk or a silk blend.

Wool – wool is warm, and has a lot of elasticity and memory. Wool helps a garment hold its shape, and it springs back after being stretched. There are as many types of wool as there are types of fiber, but most types of wool share these important traits.
Alpaca – wool’s favorite cousin, alpaca is one of the warmest fibers you can choose. It has an average amount of memory but very little elasticity – garments knit in alpaca and alpaca blends will hold their shape relatively well, but will be drapier than 100% wool and will not spring back much after being stretched.
Silk – silk holds warmth in but is also lightweight, breathable, and remains cool to the touch, making it an okay choice for summerwear. It has a good memory but virtually no elasticity – projects knit with silk will drape nicely, but can also get heavy and lose their shape if they are very large. For sweaters, a blend of silk and wool provides a nice balance to give structure as well as drape.
Cotton – the most breathable of the major fibers! Cotton is perfect for warm weather gear or summer-weight blankets, but keep in mind that it has no real memory or elasticity. Garments knit in 100% cotton can stretch and sag, making seamed knits a better candidate for these yarns.

How do blends affect these properties? If your yarn is a 50/50 blend, like SweetGeorgia Merino Silk Aran, each fiber contributes equally, giving what I like to think of as 50% of its properties to the final yarn. Using percentages to describe this is fairly inexact, but should help you to visualize if you’ve never touched or knit with a blend before! A 50/50 wool/silk blend will have shine from the silk, but will be about half as shiny as a 100% silk yarn. Likewise, it will have memory and elasticity from the wool, but only about half as much as a 100% wool yarn.

If your blend has a predominant fiber, like, your yarn will be mostly like the predominant fiber but will have some characteristics of the other contributors. River is a great example of this – a 40/30/30 blend of alpaca, silk, and merino, River behaves most like alpaca and has the warmth, hairiness (let’s call it wooliness!), and drape of alpaca. But the silk adds a dreamy softness and a subtle shine, and because of the wool content, River still has very nice stitch definition and elasticity.

Warmth should also factor into your decision about yarn weight, unless you’re knitting something that won’t be worn. A pair of gloves or mittens will be much warmer knit in worsted weight than fingering weight yarn, so you take this into account when deciding. I live in Georgia, so fingering weight gloves are eminently more practical than worsted weight gloves, which make a ton of sense during a New England winter. For those of us living in the warmer areas of the country, many popular sweater patterns will never get worn unless you swap out the worsted and bulky weight yarns for fingering and sportweight yarns. This requires some gauge conversion, but the result is well worth it – you’ll have sweaters you can wear 4-5 months of the year rather than the one week you’re traveling to New Jersey to visit your family.

Your other concern is what gauge you are wanting to knit. This is in many ways a personal choice, even with a specific pattern in mind. What gauge do you like knitting at, what size needles do you enjoy using, and how does the yarn you’ve chosen look at that gauge? If your head is spinning yet, you can understand why it’s sometimes difficult for us to answer someone who says, “I’m knitting a sweater, what yarn would you recommend?”

Every yarn comes with a gauge recommendation, but it is only a recommendation. There are many yarns that I prefer to knit at a different gauge than specified on the label. The only real way to know is to knit it up on various needle sizes and compare the fabrics you get. Knitting at a tighter gauge than recommended should yield a denser, more durable material with less drape and fewer holes – you’d want this for things like socks and gloves that are meant to insulate and be hard-wearing, or for stuffed toys where you don’t want the stuffing to poke out. Knitting at a looser gauge gives you a softer, drapier fabric, perfect for shawls, capes, even a luxe sweater.

I like knitting worsted weight yarn between 4-4.5 stitches per inch for sweaters; for me this is the perfect balance of function and form, with even durability to last several seasons and enough drape for my sense of aesthetics. I will knit these yarns at this gauge even when the label says to use 5 stitches per inch, which for me is often too dense.

And then, lastly, there is the issue of color. I will never deign to tell someone else what color their project should be, as this is entirely personal, but yarns tend to fall into three groups and I think it is always a good idea to pick a group before embarking on your final color decision.

Solids – I’m talking machine-dyed, 100% solid colors. No tonal variations, no hidden depth of color, just plain, old-fashioned red. Or black. Or insert your color here. Are these boring? Maybe a little. But they’re also practical, and sometimes they are exactly what the project needs. Intricate lace or cables often beg for this kind of simplicity in yarn color.
Semi-solids – These are the hand-dyed version of solids, and they are exceptionally lovely. Within one skein of red, you may find eight different shades, layered one of top of the other and always subtly shifting. These may include more than one color, but all will be in the same family and tone (for example, three different shades of pink). They can add depth to a lace project and are stunning in simpler stitch patterns, and even moderate cable and lacework. Most people will prefer this type of yarn for most sweater patterns, as you get the depth of color change without any pooling as in variegateds.
Variegateds – These are the anything goes yarns. They can be as mild as combining similar colors (pink, red, white) or wildly different colors (purple, yellow, black). Variegated yarns can be intoxicating in their skeins, but many an unsuspecting knitter has been dismayed to find their pretty yarn has rendered their complex stitchwork invisible. Variegated yarns love to be knit into simpler stitch patterns – stockinette of course, but also stitches such as seed stitch and reverse stockinette, which temper the color changes while still proudly displaying the yarn’s beauty. In moderation these can even work with very open lace patterns for the same reason.

Once you decide if you want your project to be knit in a variegated yarn, a semi-solid, or a solid yarn, your color choices become a little easier, and you can simply pick the color you like best within that range! There are also two other color categories that we hear about a lot, but to be honest I’m not sure what they mean – “baby” colors and “man” colors. Don’t let yourself be constrained by stereotypes – any color can be appropriate for a baby item; babies like bold colors too. And as for men, I think we all know there are as many types of men in the world as there are colors, so to label something a “man” color or “not a man” color seems insulting to men, to me. Now, a “Dan” color and “not a Dan” color is another story…

September 7, 2010

Yarn Substitution: Part One

Filed under: Yarn Choice,Yarn Substitution — admin @ 3:52 pm

Some of the most common questions we are asked by our customers are, “Can I make X out of Y yarn?,” “Can I use A color to make B?,” and the umbrella question that covers it all, “I’d like to make a sweater, what yarn can I use?” To which our answers are, of course, absolutely, and any yarn that you please!

Knitting, to me, is all about personal choice, and it has always been my general philosophy that the yarn and the patterns were simply there to give me the tools to make the things *I* want to make, the way that I want to make them. I knit for the pleasure of it. I knit because it’s relaxing to me. I knit because I love to watch the way the needles turn string into fabric, and because I love the way a yarn feels running through my hands as I knit it up. So I don’t knit anything I don’t want to (unless it is for a gift from someone very, very special – then, there are sometimes exceptions). I don’t really like knitting socks, so I don’t really knit socks. I love knitting sweaters, so I cast on for a new one practically every week. Laceweight yarn tends to make me crazy, so I don’t knit with a lot of laceweight, even if I want to make a lace shawl. A nice squooshy worsted weight pleases me deeply (plus, it knits up so quickly!), so I knit with a lot of worsted weight yarns.

So, how do you get it your way, even when the pattern is written another way? Issue the first: yarn substitution.

There are two kinds of yarn substitution. The one that I’ll talk about today is subbing in like for like. This type of substitution, I think, is much simpler – this is when you want a yarn that is the same weight as the yarn used in the pattern but don’t actually want to use the yarn in the pattern. If you are subbing in like for like, there are basically two key issues to consider:

Fiber content – Certain types of fiber have a dramatic effect on the way a yarn knits up, hangs, and wears (silk, cotton, I’m looking at you here). Silk, for example, offers a lot of drape and almost no stretch, while wool tends to be very springy with less drape. A sweater knit from a 100% wool yarn will be less drape-y than the same sweater knit from a 100% silk yarn, which may stretch and lose its shape. Even in a smaller category like wool, a superwash merino wool is typically a lot more densely spun and has less halo than something like a blue-faced leicester wool, giving the same garment knit with each yarn a different appearance. Unless you are prepared to modify your garment to combat differences in fiber types, it is usually best to stick with a yarn that has comparable fiber content to the yarn called for in the pattern.

Plied versus single-ply – If the yarn used in the pattern is plied, substituting a single-ply yarn will give you a garment with a more relaxed drape (after blocking) and less stitch definition. Conversely, substituting a plied yarn for a single-ply will yield a crisper stitch definition. This can be detrimental to patterns that utilize halo, such as the ever-popular Whisper Cardigan (Ravelry link). For the Whisper Cardigan, which was knit with a single-ply (Malabrigo Lace), if you substitute in a plied laceweight like Madelinetosh Tosh Lace, your stitches will show more crisply, making the sweater look almost gossamer from afar and possibly too hole-y up close. To avoid this, typically you’ll want to move up one yarn weight when subbing a plied yarn for a single-ply yarn (Tosh Sock, in this case, would be a better choice).

Substituting in plied yarns for patterns that call for single-ply yarns can also add durability if you are concerned about wear and tear on your particular project. SweetGeorgia’s Merino Silk Aran is a great plied substitute for Lorna’s Laces Lion & Lamb, for example, because it offers a similar yarn weight with similar fiber contents so the yarn’s look and feel will be similar. However, the finished garment will certainly have less drape in the SweetGeorgia, due to the plies, so it is something to keep in mind.

Keep in mind also that these are merely guidelines, and only apply if you like the way the designer’s finished project looks. If you like his/her version but think you’d prefer something a little different, small changes like fiber content or number of plies are an easy way to do just that without a lot of extra math. Or, if you’re like me, you always to knit a pattern in a yarn weight and fiber type that is totally different from the original pattern, and then you have to move to the second type of yarn substitution, when you just sub in the yarn you want to use and do the math to make it work. And that … is going to have to be a whole ‘nother blog post! With pictures, too, next time.

April 15, 2010

Catalina and an Announcement!

Filed under: Uncategorized — admin @ 9:47 am

Oh, blog. I’m so sorry that I neglect you. We’ve been working on a lot of fun things around here that take attention away from this poor blog, including a very exciting expansion of our shop and working on some surprises for Stitches South, where we are very excited to be one of the sponsors of the Ravelry party on Thursday night! Those of you attending who’d like to see Eat.Sleep.Knit in person can feel free to pop in and visit us Thursday and Friday from 10 AM to 2 PM, after which you’ll most likely spot us wandering the market floor trying to contain ourselves.

catalina-9xWe’ve also been getting in so many new yarns, new vendors, and new colorways that any free time I’ve had, I’ve been trying to knit with some of them! I was especially pleased with my latest project, Catalina (pattern by Jordana Paige).

Pretty much the first time I laid eyes on the new SweetGeorgia Yarns Merino Silk DK, I knew I needed to cast on with it, right away. I used the Ginger colorway – the subtle color variations knit up into a truly lovely sweater, and the stitch definition and softness are both impressive. I’m actually trying to decide which color to knit a second one, as this is a great sweater for chilly spring mornings or a breezy day at the beach, conveniently as my mom recently moved to Florida and hopefully more breezy beach days are now in my future!

Oh, and the announcement, which I’m putting last but is the farthest thing from least – Eat.Sleep.Knit will be (enthusiastically) retailing yarns from Squoosh Fiberarts in May! We can’t wait and we hope you can’t either!

February 28, 2010

Spectrum Club FAQ’s

Filed under: Uncategorized — admin @ 2:18 pm

spectrumclub-big

Our newest club is a one-of-a-kind club where you get to sample some of our most luxurious yarn bases in the colors you choose. Each shipment will include enough yarn for a small project, along with useful color-themed extras and project suggestions.

Color groupings mean that all of the yarn you receive will fall in some way into that color family, but we will aim to give you different shades of the same color or even a variegated colorway where that is just one of the main colors. Sign up for one or several, or choose the “full spectrum” option to be totally surprised!

Here are some answers to some frequently-asked questions about our clubs:
What is the sign-up deadline?
The last day to sign up for this round of the Spectrum Club is March 15, 2010. We do have a limited number of spots available though, so they may close earlier if we run out of space.

When will shipments go out?
This round will contain four shipments, which will be shipped to you in May, July, September, and November as close to the beginning of the month as possible.

What is the cost for international subscribers?
Subscriptions to the US and Canada are $164 for the full round. All other international subscriptions are an extra $10, $174 for the round.

Can I sign up for more than one subscription?
Of course – you can sign up for as many or few as you’d like. Maybe you’d like both the red and the green color group, or maybe you want two red subscriptions to make larger projects.

Do you offer a shipping discount for multiple subscriptions?
We do! For all subscribers, you will receive a refund of $15 per additional subscription if you sign up for more than one.

Do club subscriptions count towards the Yarn Marathon?
Sorry, no.

Are the colorways unique to the club?
No, all colorways in the club will be standard available colorways so you can get more any time you want. Due to the 11 (!) different color groupings in this club, asking our dyers to create exclusive colorways would have been a near impossible feat, and we’re willing to bet there are some fabulous colors you’ve never tried before.

What if I move or need to change my address?
If at any point during the club, your shipping address changes, please e-mail us at eatsleepknit@eatsleepknit.com and we will update your information.

Added 03/02/10:
How much yarn is included in the club?
It’s difficult to give exact amounts without giving away some of the surprise, but each shipment will be enough for a small project (this includes accessories, shoulder shawls, socks, etc – basically not sweaters or giant shawls). All but one shipment will contain two skeins.

February 26, 2010

Ravelympics Fail

Filed under: Uncategorized — admin @ 7:04 pm

Like everyone else on Ravelry, I had grand plans for the Ravelympics. Four projects – one a sweater, one a WIP that needs to be ripped back and re-knit as the neck is entirely too big even for my giant husband, a pair of mittens, and a hat. I even tacked on a whole other project when the Yarn Harlot announced she would be hosting the separate Knitting Olympics.

I know. I know because everyone I have explained my plans to, even my equally fervent knitting friends, has simply laughed at me or, if they are being kind, explained about the laws of physics and that I do have to sleep and run this business from time to time.

I also know because right around a week in, I realized that I wasn’t in the mood to work on my sweaters, and I switched to the mitten, which I then realized I als didn’t want to knit. I tried for a few days, but it would appear that I’ve burned myself out a bit. Possibly doing things like this:

Gawain was knit in 6 days, ending the day before the Ravelympics, because I went out of town that weekend on a knitting trip and desperately wanted to wear this on the plane. Which I totally did. So I’m going to just admit that I’ve given up on the whole knitting olympics thing, and stick instead to my own personal knitting challenges.

I do really love this sweater, though – the yarn is Malabrigo Twist in the Zinc colorway. I used every single yard of 7 skeins to knit the 34″ size. (seriously – I ended up scalping the ends from the joins just to seam it) The yarn is so soft and squishy that I kind of want a whole blanket in it, and I barely even minded all the seed stitch. I’ve worn it five times, including twice on the plane coming and going, and it has fuzzed up a bit but no actual pilling thus far and the stitch definition is still quite nice. So color me pleased, anyway.

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